Artist Spotlight: Jen Wang

Jen Wang massages my senses. Her art is powerful and her words are mighty. In real life, when I've encountered her at APE and Stumptown, her effervescent, sweet quality almost makes you forget how intimidating of an artist she is. And to compound her coolness, she is usually surrounded by an equally stunning group of cartoonists including Erika Moen, Vera Brogsol, and Kazu Kibuishi. Collectively, these cartoonists comprise the 'A' group. You know, the kids you'd like to sit with during lunch and have inside jokes with because they seem to have a knack for making everything seem fun. Beyond popularity, these folks also comprise some of the brightest talent out there.

But back to Jen. Ranging from her contributions to Flight 1 and 2 to the stunning artwork she has posted to her livejournal, there is something very moving in her artwork and ability to craft a beautiful story that makes her exciting to watch mature.

The first piece from Jen that really made me sit up and take notice was "Destiny Express" from Flight 2.

Without stating the obvious, the unique quality about her cartooning is fresh and new. From the soft watercolors in this piece to the lyrical nature of the story construction, there is a loveliness and sweetness to the story that gives away a bit of her naiveté.

Next up is her minicomic Home Portrait. Initially reflective and nostalgic, the story morphs into a moving tale of a young couple forging their own story. Delicate lines and a quiet sentimentality push this story forward.


Finally, her most recent release, a minicomic called Touchfood. Small in nature, but formidable in tone, this comic spins a tale of a man, his muse, and the eventual demise.

Her website is quite comprehensive and has all of her minicomics up in complete form, so you can get to know her work on your own terms. She also has some "Monster Sex" prints for sale. If someone out there really likes me, they can send me one. I'd be totally fine with that. Really.