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Thursday, April 20, 2006

Seattle Splendor

Town Hall Seattle, First Hill's cultural arts center, hosted an evening with Harvey Pekar last night, which we were fortunate enough to attend. Co-sponsored by Elliott Bay Books, the event was mainly to promote Pekar's newest graphic novel, Ego & Hubris, the story of New Yorker Michael Malice.

The building Town Hall resides in was originally a Church of Christ, Scientist, and still retains most of the distinguishing features in it's interior, including rows of hard-backed and tightly-packed wooden pews and tall stained glass windows. It's a large, beautiful room and a perfect venue for this sort of event.

The host of tonight's activities was Paul Constant, the surprisingly youthful book critic for Seattle's self-proclaimed "only newspaper," the Stranger. As he began his introduction, most of the (rather sizable) audience was stealing glances over to the backstage door, where Harvey was intermittently peeking out at us.

Despite his reputation as a somewhat gruff, brusque character, Harvey came across as very warm and open, answering questions freely, both from Paul and the audience. They tackled everything from his upcoming projects (including the very intriguing Macedonia project, which should hit shelves later this year, and DC Comic's revival of his flagship American Splendor title, starting in September), his brief involvement in adapting Linklater's adaptation of Philip K. Dick's A Scanner Darkly to comics, his writing process and the business end of working with various artist and publishers (apparently DC's page rates for artists work out almost three times higher than Random House's...not exactly what I would have expected!), and of course, the process of writing Ego & Hubris. The new book was put together almost entirely from letters and anecdotes told to Pekar by the book's subject, Michael Malice, which Harvey essentially edited down to a series of panels for artist Gary Dumm.

Following the interview was a brief audience Q&A session, and book sales and signing, during which Harvey cheerfully answered questions and signed books for dozens of people, the line stretching around a row of pews. It was a wide range of ages and styles in attendance, which was nice to see.

Town Hall is definitely a Seattle event center to keep an eye on. Marjane Satrapi will be appearing there June 2nd, in conjunction with the Seattle Public Library's "Seattle Reads Persepolis" series of events. There's also an "Intelligent Design Vs. Evolution" debate next week, featuring representatives of the local intelligent design "think-tank" the Discovery Institute, a group responsible for, or at least involved in, much of the drive to undermine this country's science education. That might be worth checking out.

Tuesday, April 18, 2006

Director Notes on I HEART WA **UPDATED**

A "Mixed Bag" challenge by Chris Lefty Brown was cast and I took the bait. The challenge was quite simple: make a mix cd and send it to some of your fellow bloggers. The theme could be your choice.

I took it upon myself to do a Washington state themed mix. To me, this meant every musician had to be from the state of Washington. And I elminated anything grunge because that seemed too obvious. Since I'm a newly minted Seattlite, I took this as a challenge to learn more about local music. And my fellow bloggers got the final result. There is a little bit of everything from alt-country to hip-hop a la electronic glitch-pop.

Track List:
1. Sera Cahoone - Last Time
2. Damien Jurado - Tragedy
3. The Posies - Last Crawl
4. Mirah - The Sun
5. The Microphones - My Body Holds Songs
6. Pavement - Grounded
7. 764-HERO - Photographic Evidence
8. Built to Spill - The Plan
9. Pedro the Lion - Of Up & Coming Monarchs
10. Love as Laughter - In Amber
11. Band of Horses - The First Song
12. Minus the Bear - This Ain't a Surfin' Movie
13. Modest Mouse - Polar Opposites
14. The Jimi Hendrix Experience - May This Be Love
15. Sleater-Kinney - Milkshake N' Honey
16. Death Cab for Cutie - Photobooth
17. Mercir - You Won't Walk Alone
18. Matthew Shaw - Currency
19. Scientific American - UnAmerican Activities
20. Fell - Dash-Dot
21. Common Market - Re Fresh


To top of this nod to my adopted home state, Dylan carved my design and pressed it so the mixes were sent with a hand painted wood-block cover. It was a fun challenge. And even if I end up scaring everyone with my eclectic taste, I got a lot out of it. So thanks Lefty! It was fun!

POSTSCRIPT:
Lefty recommended I scan in the cover art, so here it is.

Monday, April 17, 2006

Hot Mexican Lovin'

The book: Hot Mexican Love Comics 2006

I picked this up for two terrible reasons. First, the people working the booth during APE were looking lonely and a bit downtrodden (though from their report it seems that I was horribly mistaken). I'm a sucker for sad folks. And secondly, I was going to buy this for BeaucoupKevin. But after flipping through I decided I wanted it for myself. I'm such a bad friend.

As I took a closer look, I realized that I did not recognize a single name. For an anthology, that seemed sort of strange to me. But I continued on. The reason for my naivete is that almost all of the artists are slaving away on network animated television shows (The Simpsons, Family Guy, etc.) as storyboard artists or editors.

My interest was officially piqued. My trek for comic goodness continued.

The art:


Good, good stuff. Many different styles, ranging from really clean "cartoon" style of Anthony Vukojevich to the very distressed and rough style of John Fountain (see above).

The stories:
Ranged from predictable vato/low rider stories to those with more historical value. Almost every story made me laugh out loud and took me back to the times of being a high school student in a ghetto high school in Albuquerque, New Mexico. To translate, this totally makes it work the measly $5 I spent on the book.

Thursday, April 13, 2006

Overwhelmed

Sometimes I think the Gods of Comicdom are trying to kill me. Or at least cripple me financially. After the comics-purchasing orgy that was APE (see previous posts), I'm faced with a new comics day that, under normal circumstances, would have me jumping for joy. But, with my wallet still limping and gasping from the beating it sustained over the weekend, the overwhelming pile of new comics almost rises to the level of hardship. Almost. But really, including a coupe of books I'd missed in the last two weeks, I ended up with 8 floppies and one (remarkable budget priced) book.

Brian Wood's new graphic novel with Toby Cypress, The Tourist, looks pretty enticing. Only $9.99 for approximately 100 full-size pages. I haven't heard a whole lot about this, but between the gorgeous art (half Paul Pope, half Bill Sienkiewicz? Somewhere in that territory anyways) and Wood's typically high quality scripts these days, it was an obvious buy.

Speaking of Paul Pope, we also get the penultimate installment of his Batman book, in which a nameless future Dark Knight and crew delve into the murky dystopia of Gotham 2039, drawing equal comparisons to 1984, Dark Knight Returns, and Pope's own Heavy Liquid. The sheer manic desperation evident in each page of Pope's artwork is enough to keep me enthralled while a pile of loose plot threads sloooowly pull together.

The first story arc of Desolation Jones starts up, bringing an end to the saga of Hitler porn and other dark secrets circulating a community of exiled former intelligence agents to a close and launching us, I can only assume, into further stories of depravity and betrayal in the underbelly of Los Angeles. Also, Brian Wood's DMZ series begins it's next story arc, "Body of a Journalist". It's a timely story arc,but then again, it looks like the underlying concept, and it's central US/Iraq metaphor, will be depressingly timely for the foreseeable future.

Former Wood Collaborator (and another personal favorite) Becky Cloonan's series with writer Steven T. Seagal, American Virgin, sees it's second issue. The first was slightly rocky, with a few too many plot elements introduce all at once, and a couple of implausible escapes by our titular hero, but it's interesting enough to hold on and see if it finds it's feet quickly.

The wickedly funny X-Statix revival (pardon the pun) Dead Girl continues to impress with issue three, brimming with continuity-nerd in-jokes and completely off-the-wall concepts. This is the kind of book that X-Statix was at it's peak, totally irreverent without losing it's sense of drama, and it's a type that I think Marvel could stand to publish more often. As far as I'm concerned, it's really the only Marvel book worth reading at the moment. But that's just me...

100 Bullets and Y: The Last Man are both reliable, long-running entertainers, and it looks like Bullets is finally returning to it's roots, after an extended period dealing with the dense web of conspiracies and double-crossing that have piled up. That element is still present, but the original "mysterious briefcase" element returns, which seems to help ground the book in a more relatable, human drama. Y, on the other hand, seems like it could use a good shake-up these days. Still solidly written, but it always ends up in the same situations. The plot is chugging along slowly, with plenty of revelations lately, but none of them have really changed the status quo.

And finally, Shaolin Cowboy, Geoff Darrow's absurdist action comic. I almost missed this one,a s I wasn't expecting that ultra-distressed paperback -style cover. Darrow turns everything to 11 in this book, and the cover is no exception, with the cover image torn away to reveal what appears to be fragments of a Shaolin Cowboy pulp paperback. Probably one of the most consistently and pretentiously entertaining books on the shelf today.

Now I just have to get around to reading some of these...

Monday, April 10, 2006

APE 2K6: In Text

Wow, what a whirlwind weekend.

(quick note: make sure you check the previous post for APE photos and celebrity comics blogger cameos!)

Our trip began shortly after we both got off work on Friday, as we scrambled to grab dinner and dash to the airport for our 8:45 flight to Oakland, CA. We used a park-n-fly service in Seatac, and the shuttle driver who took us to the airport shared the following joke with us after noticing my "Defoliate Bush" bumper sticker:

So there's this little girl, and her cat just had a litter of kittens. She has a bunch of her friends over to show them the kittens, and after all the oohing and aahing, the little girl proudly proclaims "..and they're all Republicans!"

Now her father, overhearing this, thinks it rather odd. But knowing children pick up odd little bits and pieces, he doesn't think to much of it.

A few weeks later, the little girl has another batch of friends over to show off the kittens, and her father is confused to hear her announce that "..they're all Democrats!" So this time, he asks his daughter, "But honey, didn't you tell your friends a few weeks ago that the kittens were all Republicans?"

and the little girl replies "Yes, Daddy, but now their eyes are OPEN!"


Anyhow. A small tangent. But the flight was uneventful, and we arrived in Petaluma late Friday night, then headed down to the Concourse in San Francisco just in time for the doors to open at the Convention.

Our first stop was Coldcut distribution's table. They have an indie comics ding-and-dent box every year at APE, where they sell slightly damaged books and pamphlets for $8 a pound. It's usually a good place to get good deals, and this year was no exception. They had some old self-publish Paul Pope books, a copy of Locas, Paul Hornschmeier's Collected Sequential, and almost complete runs of Demo and Rare Bit Fiends, among plenty of other goodies.

From there we wandered around the convention center for a while, taking in the sights and taking note of places we would want to stop at some point during the day.

How to even recap this? There were so many highlights during the day. The Top Shelf table was a great place to start, with Jennifer Daydreamer, Aaron Renier, Liz Prince, Jeffrey Brown, and Renee French all in one long line. I noticed the Papercutter #2 postcard on Liz Prince's table, and she told us that she didn't have copies, but that Tugboat Press had them, around the corner. So we headed off to Tugboat's table to get copies for Liz to sign, and had a nice little conversation with Greg Beans from Tugboat. We talked about Emerald City Comicon, Seattle, Confounded Books, Stumptown, the state of comics retail, and future plans for his quarterly anthology title Papercutter. Greg may be one of the nicest, genuinely enthusiastic people we met there that day.

Not that enthusiasm was in short supply. The convention hall seemed a little less crowded than previous years, and there was certainly a little less bumping into people and squeezing through crowds. Not that attendance was sparse, just a little more comfortable for the size of the venue. There was a pretty outgoing atmosphere, and it was hard not to get caught up in the enthusiastic spirit that most of the artist brought to the event. I picked up quite a few minis and books by artists I'd never heard of before, like Joseph Bergin's clever Death FAQ and Fistman minis, from Say Uncle Comics. Or Vasilis Lolo's Hats mini and his Nebuli collaboration with Becky Cloonan. Or Tomasz Kaczynski's Transalaska and Transsiberia books (beautifully screenprinted and wrapped with a vellum band) Or Robert Ullman's Atom Bomb Bikini series of salaciously cute sketch pamphlets.

And of course, there were plenty of people there whose work I was very familiar with. I was happy to see that Anders Nilsen and Drawn & Quarterly both had copies of the Big Questions books I had missed, and Anders also had a book called Sisyphus, which I hadn't heard of before. He's one of my favorite artists these days, but I didn't work up the nerve to ask him for a sketch until later on...

Kaz Strzepek, who I recently blogged about, had a book called Spaz, collecting two years worth of gut-wrenchingly hilarious comics about problem roommates and the ultimate in nerdy sexual fantasies. Like his previous Mourning Star minis, this book has a two color screened cover, and is bound with a matching, hand tied thread. Pure quality.

And then there was James Jean, signing copies of his amazing artbook, Process Recess, over at the Adhouse Books table. He whipped up a simple and evocative sketch on the inside cover in a matter of seconds it seemed. That man just oozes talent, and perusing his book only confirms that.

Derek Kirk Kim showed up later in the afternoon, with a stack of Lowbright minis so new, he hadn't even finished binding them. He just whipped out an exacto, some patterned packing tape, and a cutting mat and went to work right there. He was so on the ball, he even caught someone accidentally giving him a twenty and two ones for a three dollar poster, much to that customer's gratitude.

We were there for hours, and probably circled the convention floor a dozen times or more, but eventually, we took a break for dinner with some old friends, before heading over to the Mome book signing/after party at the Giant Robot store off of Haight Street. It was a pretty popular destination, but it was funny to walk in and see Jeffrey Brown, Gabrielle Bell, and Anders Nilsen trapped behind a table piled with copies of Mome, while everybody circled the piles of regular Giant Robot merchandise. I almost got the impression that they were there as a window display. At this point, I finally had Anders sign and sketch in my copy of Dogs & Water (which I'd picked up at the ding and dent box earlier). He put a lot time into a meticulously detailed drawing of abandoned socks, a boot, and a glass of water, while we talked briefly about Seattle and Big Questions. The after party was pretty well attended by other artists too. I spotted Aaron Renier, Kaz Strzepek, and Robyn Chapman, among others.

Bah! It's all such a blur now, two days later, and mixed in with reunions with California friends. That's probably the best re-cap I can put together now, even though there's a ton of things left out. I ended up with a stack of books, comics, and minis over a foot high, many of them customized with sketches. Maybe I can get around to posting a few of the cooler ones...but then again I feel stretched thing these days as it is, what with another trip this weekend and several music/design projects in the works. All I can say for sure is, I can't wait for next year...

APE: The Photo Post

SUCCESSLESS GOES APE!



Partially because I am lazy and partially because I am responsible for most of these photos, I'm responsible for the photos from APE. A word of warning: a large majority of these are blurry because we are sorta shy and didn't want people to know we were taking photographs. Either way, we hope you enjoy!
















From the radtacular Top Shelf Table from left to right: Jennifer Daydreamer, Aaron Reiner, Liz Prince (who seems to be checking Dylan out), and a shy Jeffrey Brown.

Becky Cloonan and Vasilis Lolos have got to be the most hardcore comic couple out there. They had a joint project on their table Nebuli, which looks awesome and he also helped her out on East Coast Rising

Next, we ran into Sophie of Gumpop and her friend. Too bad the guy we asked to take our picture is a bad with this camera as I am.



While waiting with Dylan for James Jean, I recognized Ian from
Brill Building
and I awkwardly initiated an introduction. He is as intimidatingly smart and funny in person as I thought he would be. He also later introduced us to Graeme from Fanboy Rampage. Awesome comic blogger fun!




If you can make it out, which I doubt you can, here we have a lovely Derek Kirk Kim handbinding a delightful mini appropriately named Lowbright. He's so rad. Enough said.










After a couple double-takes, I got so fangirly from seeing two of my absolute favorite cartoonists together that I made Dylan take this. Not too shortly after this was taken Dan Clowes pushed his son in his stroller. I think I got a little chocked up.




The floor starts to clear as the day winds down.


























And Dylan tries unsuccessfully to mate with his Tomasz Kaczynski minis. I throw a fit and shread them to pieces.


I'm totally kidding.





Then we head over to the Giant Robot/MOME After Party Signing thing....




Dylan plays it cool while I try not using the flash some more. Why didn't I learn my lesson? Why God, why?





An indie comic lovers dream team courtesy of MOME: Jeffrey Brown, Gabrielle Bell, and Anders Nilsen.





The crowd vies for the trio's attention in the laid-back way the hipster set of the West Coast can offer.




Anders smiles pretty for me while Dylan tries his hardest to stifle his excitement for the amazing sketch Anders did for him.

Wednesday, April 05, 2006

Fun Chickens

As we excitedly approach our indie comic filled weekend at APE, I started to think back to last year's APE. I won't take you down some nostalgic path full of embarrasing tidbits and irrelevance.

But one totally awesome thing I picked up and cherish to this very day is a very unique set of books from the lovely Esther Pearl Watson, of Fun Chicken and Bust Magazine fame. I recognized her very distinctive style from the back page of Bust Magazine, so I stopped to check it out.

To my delight there were three dense books based on the found diary of Tammy Pierce. What is so delightful about Tammy Pierce's candid diary entries are how totally universal it all is, despite the questionable fashion and vocabulary of this young girl in the late Eighties. She deals with the insecurities of being a teen, the intensity of the first crushes you have, the insanity of parents, and the bitchiness of other teen girls.

After purchasing these books, I had a chance to talk to Esther. I was delighted to discover she is as awesome and laid-back as I hoped she would be. And I am not ashamed to say I did a happy dance at work, amid a maze of cubicles, when I saw her listed on the attendees of this year's APE. So this year I get to venture back to the Fun Chicken booth and check out some of her husband's work and hopefully grab a copy of their joint venture Whatcha Mean It's a Zine.